The Paris restaurant of legend Maxim's is situated a crepe's-throw from the
Place de la Concorde, and is overlooked by the church de la Madeleine, originally built by
Napoleon as a Temple of Reason. The décor is unreconstructed 1893, and the bar
is lit by art nouveau lamps of the eighteen nineties, featuring statuettes of wind-blown
damsels. Mahogany, brass and mirrors abound.
Maxim's is like entering a time-warp, which makes it easier to relive the scene in Somerset
Maugham's The Razor's Edge when, circa 1921, Isabel Bradley dined here
with Larry Darrell. They're in love, but they've broken off their engagement.
Something happened to Larry in the war, which has made him restless. He refuses to settle
down to stockbroking, and plans to roam the world in search of knowledge, truth and God.
Isabel can't contemplate life on just "three thousand a year," nor a world
without Chanel dresses and smart full-dress parties. And so the match is off. They drink champagne at
Maxim's, so as to part without hard feelings. But Isabel has a scheme for after
dinner. If she can seduce Larry, and get pregnant, he'd have to abandon his dream,
Isabel to Maugham in The Razor's Edge, speaking of Larry Darrell:
"I didn't think I was looking too bad and it was my last chance. Larry had reserved a table at Maxim's. We had lovely things to eat, all the things I particularly liked, and we had champagne. We talked our heads off, at least I did, and I made Larry laugh. One of the things I've liked about him is that I can always amuse him. We danced. When we'd had enough of that we went on th the Chateau de Madrid. We found some people we knew and joined them and we had more champagne. Then we went to the Acacia. Larry dances quite well, and we fit. The heat and the music and the wine--I was getting light-headed. I felt absolutely reckless. I danced with my face against Larry's and I knew he wanted me. God knows I wanted him. I had an idea. I thought I'd get him to come home with me and once I'd got him there, well, it was almost inevitable that the inevitable should happen."
Maugham, like Maxim's, stands the test of time. People no longer live the lives or
wear the clothes of the characters in his novels, but otherwise we're much the same.
Maugham understood the eternal truths of vanity, ambition, love and disappointment. The
Razor's Edge has enough sex, drugs and violence to make it feel thoroughly
modern. Isabel gives up her one chance of passion for material wealth. Larry travels the world
searching for God and the Absolute, ending up in the south of India studying under a venerated
Maharshi. Another character, Larry's childhood friend Sophie Macdonald, loses her husband and baby in a
car wreck, becomes a drunkard longing only for death. She was eventually found
floating stark naked face down in the harbor at Toulon.
In the end, one way or the other, viewed either good or bad, everyone in the novel seems to get what they want, and especially
so Larry who, high in the mountains of India, experiences an Awakening to the Absolute.
See also: The
As well as: MAXIM'S Paris
Equally as engaging: As the Day Broke In Its Splendor
Author: Michael PortilloDaily Express magazine published 7 August 1999